Abstract

This paper is concerned with the different forms of pleasure and identification activated in the consumption of dominant and subcultural print media. It centers on an analysis of the lesbian visual pleasures available in reading fashion articles in the new lesbian and gay lifestyle magazines. This consideration of the lesbian gaze is contrasted with the lesbian visual pleasures obtained from an against-the-grain reading of mainstream women’s fash- ion magazines. The rise of lesbian and gay lifestyle magazines fueled by the pink pound (the commercial potential of appealing to non-heterosexual consumers) has turned eroti- cized lesbian visual pleasure into the overt purpose of these magazine, rather than a clan- destine pleasure obtained through a transgressive reading of dominant cultural imagery. In contrast to the polysemic free-play of fashion fantasy through which readers derive lesbian pleasure in the consumption of mainstream magazines, responses to the fashion content in the lesbian magazine Diva suggest that readers in a subcultural con- text deploy a realist mode of reading that demands a monosemic positive iconography. To consider the different ways in which lesbians read mainstream and subcultural print media the author uses the concept of subcultural competency and suggests that the con- flict over Diva’s fashion spreads may be linked to changing patterns of identification and the use of dress for recognizability.

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