Abstract
Amitav Ghosh entitles the opening section of his nonfiction on climate change The Great Derangement: Climate Change and the Unthinkable (2017) as “Stories.” Here, Ghosh highlights the significance of stories and storytelling practices in re-imagining our age of global warming and climate change. He displays how stories function as stimuli for the resurgence of our imaginative power to re-cognize the “unthinkable”, the non-human world and the intricate relations between humans, nonhumans and the natural environment. Drawing upon the insightful studies of the ecological aesthetics of stories and storytelling in the age of Anthropocene, the paper discusses how environmental storytelling as part of indigenous orality is reinvented by Ghosh in his latest fiction The Living Mountain: A Fable for Our Times (2022) which tends to look at the Anthropocene through the prism of empire and capitalism.
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