Abstract
This essay analyzes recent experimental documentaries by Lois Patino and Xurxo Gonzalez (aka Xurxo Chirro) within the context of the Novo Cinema Galego, its digital modes of production, its geographical aesthetics, and the ways in which it visualizes ever-evolving notions of Galician identity and point of view. While these directors’ films problematize formal barriers, boundaries, and distinctions, they also draw special attention to national and regional geographies, cultures, identities, languages, in order to make the Galician Worldview visible on screen
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