Abstract
This paper reconsiders previous critical reviews of Vesna Kapor’s nov- els, especially Nebo, tako duboko. Although Kapor’s narration has characteristics of (post) modernism ‒ blending genres, intertextuality, fragmentation, documentarity, narrative therapy approach ‒ the novel Nebo, tako duboko, from the philosophical point of view, represents a return to a pre-modernist metaphysical understanding of the world. The theme of the novel – a traumatic loss of a child – is presented through a metaphysical mode, while the pervasive motif of storytelling achieves a transcendental meaning.
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