Abstract
This paper reconsiders previous critical reviews of Vesna Kapor’s nov- els, especially Nebo, tako duboko. Although Kapor’s narration has characteristics of (post) modernism ‒ blending genres, intertextuality, fragmentation, documentarity, narrative therapy approach ‒ the novel Nebo, tako duboko, from the philosophical point of view, represents a return to a pre-modernist metaphysical understanding of the world. The theme of the novel – a traumatic loss of a child – is presented through a metaphysical mode, while the pervasive motif of storytelling achieves a transcendental meaning.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
