Abstract
Prison facilities are special: they are complexes defined by a variety of parameters, whose understanding for an ordinary person is far from perfect. It may be observed that two main cultures clash in prisons: that of jailers and that of inmates. Both groups have different rules of conduct, which results in many misunderstandings and new norms of behaviour created on a daily basis. This, in turn, gives way to a constant creation of unique vocabulary specific to the institution, its inhabitants and employees. It may be said that under such conditions prison language thrives: prison slang is extremely changeable and adapts itself to the current needs of the facility. Thus, the level of linguistic creativity is tremendously high: prisoners base their vocabulary loosely on similarities between animate and inanimate beings, which leads to the development of highly figurative language. The research undertaken here focuses on linguistic creativity in American prison settings, and by doing so, draws attention to the originality and unconventionality of prison slang.
Highlights
Linguistic creativity has been one of the notions in the foreground of linguistic interest
Alicja Dziedzic-Rawska ability to produce infinitely many original utterances or sentences that are based on a limited number of lexemes and grammatical constructions
The fact that linguistic creativity entails much more than sentence construction has been duly noted, which can be seen from the sheer number of publications in this area
Summary
Linguistic creativity has been one of the notions in the foreground of linguistic interest. Language gives its users proper means to accommodate to living conditions they currently experience; it is powerful in the fact that it provides us with words, but, as a cultural phenomenon, it has been marked as influencing the way we think (Whorf 1956).1
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