Abstract

Introduction. This work examines the role of silence along the lines of the theoretical considerations suggested by L. Wittgenstein and M. Heidegger. It also focuses on the role of communicative silence in each of the six functions of language in the structural model of communication put forward by Roman Jacobson. Other important types of functions are considered.Methodology and sources. Firstly, various philosophical and linguistic approaches towards the definition of silence are studied. Non-communicative silence, being outside the language domain, is differentiated from silence as part of communication, which is treated as a zero speech act in its own right. Finally, the paper analyzes the roles of communicative silence in the communicative model developed by Jacobson. Aesthetic function of silence is given special attention to. The poststructuralist view of silence is discussed.Results and discussion. Silence, acting as a linguistic sign, could convey information in the referential function; it could express emotions and personal experiences while performing the emotive function. As far as the conative function is concerned, silence serves to exert direct pressure on the addressee. Regarding the phatic function, silence acts as a means of establishing or discontinuing communication. Poetic silence focuses on the message for its own sake and manifests itself in repeating elements, such as syntactic pauses of various lengths and in differing contexts. Aesthetic function of silence is studied in a broader sense and involves the implementation of the motif of silence or “quietness” in a work of art. Silence becomes an important tool to study the acoustic, rhythmical potential of prosaic and poetic texts. With regard to silence in the metalinguistic function, it focuses primarily on the code of communication, i. e. on the language and its structure. The view of silence in psychoanalytical practice is also taken into account.Conclusion. The study of the phenomenon of silence allows to see a different number of functions it performs in situations when the speaker is either in a particular opposition to the speaker; or the situation is associated with a sense of respect, grief, humility. Silence could also accompany a number of emotive states, and perform a major role in prosaic and poetic texts when it stands out against the sounds that the main character hears around him allowing texts to bring out its acoustic properties. Psycho-analytical perspective allows to reveal more functions of silence.

Highlights

  • This work examines the role of silence along the lines of the theoretical considerations suggested by L

  • Non-communicative silence, being outside the language domain, is differentiated from silence as part of communication, which is treated as a zero speech act in its own right

  • Silence could accompany a number of emotive states, and perform a major role in prosaic and poetic texts when it stands out against the sounds that the main character hears around him allowing texts to bring out its acoustic properties

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Summary

Introduction

Silence is a universal, but very heterogeneous phenomenon, so its study requires an interdisciplinary approach and synthesis of various fields of knowledge. Ephratt [15, 16], who, pointing to the complex nature of silence and the need for a convergent approach to the study of this phenomenon, considers it in the context of paralinguistics, linguistics and extralinguistics This method of analysis allows the researcher to distinguish three types of silence: 1) index (paralinguistic dimension); 2) symbolic (linguistic dimension); 3) iconic (extralinguistic dimension) [16]. As a starting point for further linguopragmatic analysis of silence, we will use the classification of communicative functions of language developed by Jacobson with extra functions added: 1) a referential function that is characterized by a context orientation and serves the purpose of transmitting information, making judgments about the world external to communicants; 2) an emotive (expressive) function that focuses on the addressee and has the goal of “directly expressing the speaker’s attitude to what he is talking about” [17, p. As a starting point for further linguopragmatic analysis of silence, we will use the classification of communicative functions of language developed by Jacobson with extra functions added: 1) a referential function that is characterized by a context orientation and serves the purpose of transmitting information, making judgments about the world external to communicants; 2) an emotive (expressive) function that focuses on the addressee and has the goal of “directly expressing the speaker’s attitude to what he is talking about” [17, p. 198]; 3) a connatative function that is focused on the addressee and finds “its purely grammatical expression in the vocative form and imperative mood” [Ibid., p. 200]; 4) a static (contact-setting) function aimed at providing and maintaining communication; 5) a poetic function aimed at the message as such, focused on it for its own sake; 6) an aesthetic function, being a similar function to poetic yet more evident in prosaic texts and forming a tradition of a new type of narrative; 7) a metalanguage function, the central component of which is the language itself (code): “If the speaker or listener needs to check whether they are using the same code, the code itself becomes the subject of speech” [Ibid., p. 202]; 8) silence and its function from psychoanalytic perspective

Results and discussion
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