Abstract
THE WRITING WORKSHOP of the CUNY community college where I worked is housed in a windowless, reconverted science lab walled with concrete blocks. It has been half dark since the Administration removed lights during the budget crunch. Every day we saw confused students, though there have been fewer since the death of Open Admissions. In the back of the room, horizontally filed, were the worksheets. Since originally appearing in this form, they have been collected into a hot-selling grammar, especially designed for community college students. book represents the principles and practices upon which the workshop was originally founded. Paradoxically, it also lays out the strangulating theory of knowledge upon which remedial writing instruction is often based, a theory which denies students the things they really need to know. hip grammars are seemingly unlike the traditional ones. old grammar books abound with subliminal ideological content presented as mere exercise. Sixth Edition of the Prentice-Hall standard, Handbook for Writers, asks students to locate the clause to be diagrammed above the base line in the sentences: This is a mixed economy toward which both communism and capitalism are moving, and The continent of Africa is now divided into nations, but tribal divisions are more faithfully observed. hip grammars have little of this upfront politicking. Instead, they pretend to survey the nitty gritty details of daily urban life. sentences students get to play with deal a lot with partying, interpersonal relationships, and the neighborhood. Wider topics and wider transferences from the particulars of daily life to the general characteristics of the system we live in are discouraged. And the discouragement masquerades as aid and help to the struggling remedial students. Chapter One of Grass Roots by Sandberg and Fawcett promises help in Getting Started. authors then write that step one in getting started is limiting:
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