Abstract
The article is devoted to one of the aspects of the compositional speech structure of the miniature «Happiness» – the ratio of two semantic fields – happiness and unhappiness – and their role in creating an image of the world. The author comes to the conclusion that the center and periphery of the field are formed around the core (happiness – sleep). Joy, beauty, and intimacy (the center) have been exclusively in the field of «happiness»; however light, breath, love and music appear ambivalent, since they can belong to both opposing worlds (the periphery).
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
