Abstract
The article is devoted to one of the aspects of the compositional speech structure of the miniature «Happiness» – the ratio of two semantic fields – happiness and unhappiness – and their role in creating an image of the world. The author comes to the conclusion that the center and periphery of the field are formed around the core (happiness – sleep). Joy, beauty, and intimacy (the center) have been exclusively in the field of «happiness»; however light, breath, love and music appear ambivalent, since they can belong to both opposing worlds (the periphery).
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