Abstract
This paper engages the psychology of conversion through the 1994 prizewinning film Pulp Fiction, which features a “divine intervention” that sparks the conversion of a Los Angeles hit man. Given that film reveals the popular state of mind, this portrayal in Pulp Fiction suggests that a new form of conversion may be evolving in popular culture: a postmodern, narrative/constructionist account of conversion that could be a significant shift from previous psychological interpretations of the phenomenon.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
