Abstract
Abstract: This essay identifies two modes of "escape" in the "gay fugues" of Pet Shop Boys, differentiated by their (non)fascist potential. To trace this potential, the essay engages the work of Lee Edelman, Leo Bersani, and Ernesto Laclau, while extracting further lessons from Stefan Zweig, Village People, Russian history, Fourierism, AIDS eulogies, West Side Story, and the mathematics of zero.
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