"Las Meninas" and the Paradoxes of Pictorial Representation

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Previous articleNext article No Access"Las Meninas" and the Paradoxes of Pictorial RepresentationJohn R. SearleJohn R. Searle Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 6, Number 3Spring, 1980 Article DOIhttps://doi.org/10.1086/448060 Views: 93Total views on this site Citations: 18Citations are reported from Crossref Copyright 1980 The University of ChicagoPDF download Crossref reports the following articles citing this article:Patricia Zalamea, Martha Vives, Ferney Rodríguez, Samuel Adu-Gyamfi Visual representations of the COVID-19 pandemic and its iconography on a local/global scale: Crossing borders between scientific and non-scientific imagery, Cogent Arts & Humanities 9, no.11 (Apr 2022).https://doi.org/10.1080/23311983.2022.2055710Daniel Everett O papel da cultura na língua(gem) e na cognição, Cadernos de Linguística 1, no.11 (Jul 2020): 01–37.https://doi.org/10.25189/2675-4916.2020.v1.n1.id281Desmond Manderson Danse Macabre, 9 (Apr 2019).https://doi.org/10.1017/9781316665985Daniel L. Everett The role of culture in language and cognition, Language and Linguistics Compass 12, no.1111 (Nov 2018): e12304.https://doi.org/10.1111/lnc3.12304Luis Ramón-Laca A Virtual Three-Dimensional Model of Las Meninas : Paradox or Mirror Image?, Leonardo 354 (Jul 2016).https://doi.org/10.1162/LEON_a_01331Carmen V. Vidaurre Iconografía y semiótica, Eikon / Imago 5, no.11 (Jun 2016): 141–162.https://doi.org/10.5209/eiko.73482Simon Altmann All Done by Mirrors: Symmetries, Quaternions, Spinors, and Clifford Algebras, (May 2014): 101–130.https://doi.org/10.1007/978-3-319-02111-9_5Ann Fox Battles on the Body: Disability, Interpreting Dramatic Literature, and the Case of Lynn Nottage's Ruined, Journal of Literary & Cultural Disability Studies 5, no.11 (Jan 2011): 1–15.https://doi.org/10.3828/jlcds.2011.1Ian W. King Engaging with Listening, Silence and Noise: Peering‐into the Analytical/Continental Divide, Culture and Organization 13, no.11 (Mar 2007): 23–35.https://doi.org/10.1080/14759550601167248Yvette Greslé Foucault's Las Meninas and art‐historical methods, Journal of Literary Studies 22, no.3-43-4 (Dec 2006): 211–228.https://doi.org/10.1080/02564710608530401Sira Dambe “Enslaved sovereign”: Aesthetics of power in Foucault, Velázquez and Ovid, Journal of Literary Studies 22, no.3-43-4 (Dec 2006): 229–256.https://doi.org/10.1080/02564710608530402Thomas Basbøll Reflexivity in perspective: A note on Davis and Klaes' reading of Las Meninas, Journal of Economic Methodology 13, no.11 (Mar 2006): 113–119.https://doi.org/10.1080/13501780600566511Peter Pelzer Art for Management’s Sake? A Doubt, Culture and Organization 12, no.11 (Mar 2006): 65–77.https://doi.org/10.1080/14759550500490592C. G. Prado Searle and Foucault on Truth, 30 (Dec 2009).https://doi.org/10.1017/CBO9780511616020Kevin Bongiorni Velazquez, Las Meninas: Painting the reader, Semiotica 2003, no.144144 (Jan 2003).https://doi.org/10.1515/semi.2003.044 Niall W. Slater Passion and Petrifaction: The Gaze in Apuleius, Classical Philology 93, no.11 (Oct 2015): 18–48.https://doi.org/10.1086/449372 Marshall Brown The Classic Is the Baroque: On the Principle of Wölfflin's Art History, Critical Inquiry 9, no.22 (Oct 2015): 379–404.https://doi.org/10.1086/448206Guillaume Bellon Bibliographie, (): 247–275.https://doi.org/10.4000/books.ugaeditions.1028