Abstract
After the proclamation of the Romanian People’s Republic in December 1947, a new direction in art developed. The Flacăra exhibition marks the beginning of Soviet-style socialist realism, which gradually takes hold of the Romanian art scene. The press played an essential role in the establishment of realism and exercised a particular form of control. The Communist Party realised that art and the press could be a powerful tool to convey the Marxist-Leninist ideology. The article analyses the press discourse on the works presented in Flacăra.
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