Abstract
The article deals with the problem of language as an integral part of the feminine subjectivity formation in the literary and philosophical works of postmodernism. The article underlines that the literary understanding of philosophical problems is the main tendency when analyzing the critical works of a great number of the theoretical postmodernists. The article tries to analyze the role of the so-called “feminine literature” and “feminine language” in the feminine subjectivity formation;the problems of performance and performativity as the main conceptual instruments of (also gender) identification are considered
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