Abstract
Although Manuel Fernández y González is mainly known for his work as a novelist, he also developed a significant number of plays that, in spite of the warmth of the audience at the time, today remain unexplored in most of nineteenth century studies. The purpose of this article is twofold: first, recovering an unpublished play of Fernández y González that it is also representative of Spanish postromantic drama from the mid-century; and second, exploring the reasons why the figure of Torcuato Tasso did not reach in Spain the category of romantic icon that it did in other European counterparts.
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