Abstract
The Patočkian analysis of appearing is governed by three convergent requirements: manifestation does not belong to the realm of that which is manifested, it is not the work of a subjectivity and, nevertheless, it involves the possibility of subjective appearing. This paper aims at showing how, by taking into account rigorously these dimensions of appearing, we are led straight to a dynamic theory of manifestation, that understands movement, obviously irreducible to a mere displacement, as that which constitutes the ultimate sense of being of the world as the subject, and thus enables us to articulate them.
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