Abstract
The early manuscript "Semiotik" constitutes the very first layer of Husserl's reflection on signs. In this text, Husserl literally constructs - fabricates as it were - the phenomenological notion of sign that he tacitly presupposes in his later work. The author tries to show the way in which this notion is constituted, the conceptual distortions that make it possible as well as some of its theoretical side-effects.
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