Abstract
Againsu the emotion of traditional art expressed by figurative and narrative means, the artist of the XX century, belonging to a mediated society, must confront a newphenomenon tilbe wear away of image»for ibey wiIl hope io inverti new emotions on social function. A formal attitude, interned critic of language, ana a critic of partialiiy of language, will be the two different points of departure of artists to constitute these new emotions. Posing ami manifesting by rheir pictures and the new confronta. tions between rhe artistic languages, the artists will provoke questions and open abysses, permitting can a true problem, so the first lines of knowledge be construed. Therefore art will occupy a place beside ihe sciences.
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