Abstract
Dystopias present a very particular architecture, with a way of living enclosed in modules and a space subjected to functional segregation, with a fundamentally vertical urban planning and as a clear opposition to the utopian organization of the Garden City. This text introduces into the complex equation of the social relationship between the individual, architecture and nature the problem of energy dependence in the analysis of the passage from the megapolis to the metapolis. This text describes a present built of clean energy production systems with the hypothesis of overcoming the past design in favor of an imagined future that is nourished by the use of wind, in its plausible connection with vernacular architecture in the two scales of a metapolis.
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