Abstract
Resumen: En 1909 Benito Pérez Galdós publica El caballero encantado . De claras reminiscencias cervantinas, su autor propone un viaje a las diversas dimensiones sociales del país. Pero, además, revisita épocas y un pasado cuestionado en la línea que seguirá la obra de Américo Castro. Pérez Galdós rompe con la representación realista permitiendo a sus personajes moverse en dimensiones diversas para aprehender una visión más completa de España. Lejos de una añoranza nostálgica, Galdós encuentra en el pasado el impulso necesario para renovar el país en su presente y en su futuro, resignificando el relato del sentido histórico español. Abstract: In 1909, Benito Pérez Galdós published El caballero encantado , a work clearly reminiscent of Cervantes. The author proposes a journey through the various social spheres of Spain. Moreover, he revisits past eras and a contested history, foreshadowing the work of Américo Castro. Pérez Galdós breaks with realistic representation by allowing his characters to traverse fantastical dimensions, grasping a more complete vision of Spain. Far from nostalgic yearning, Galdós finds in the past the vital impulse to renew Spain in both its present and future, redefining the narrative of Spanish historical identity.
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