Abstract
This work analyzes the images of the Patagonian space putted on display in the novel La costurera y el viento (1994) by Cesar Aira, as well as the discursive procedures with which these images are constructed. The book exhibits the Patagonia as a textual and textualized corpus complex, through which the literary construction of the region, as a liminal zone profuse in fictions of identities, is problematized. From an ostensible narrative performativity, the novel combines the invention of the space and the frequent reference to a historical and literary cartography updated in a dispersion of intertextual affiliations.
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