Abstract
This study explores how factors such as the emergence of cultural publications, the professionalization of criticism, the rise of museums and galleries, among others, shaped the narrative of Colombian art history in the second half of the twentieth century, emphasizing the interconnection of artists, artworks, critics, and the public within the evolving artistic landscape. Through a metahistorical lens, it considers the concept of the nation as a site of enunciation, highlighting the complex interaction between art, context, and national identity. By examining the multifaceted perspectives presented in texts from this period, this research underscores the importance of avoiding reductionist approaches in the study of art history.
Published Version
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