Abstract

The position which it occupies the part the Traveller Without Luggage in the theatre of Jean Anouilh is not déniable. The praise which it received from the critics and the readers comes from its treatment of the topics of the world company of the post-war period, like the past and lost happiness, rich person of reflections and remainder of the current events the continuation of a serious wound peandant the world war, Gaston the hero of the part, son of a rich French family became unbeknownst to its true personality. His memory is waked up of its coma by the accounts of its close relations on his horrible adolesence. The exit of this dead end is not possible that with the lapse of memory of its past with the purity of childhood. Against this challenge, the events of the part report the way in which Gaston carried out his combat to become the being of which it dreamed.

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