Abstract

This article looks at kroncong, the most prominent type of popular music in Indonesia in the first half of the 20th century. Though much of its history is elusive, some elements of kroncong apparently derive from Portuguese music of the 16th and 17th centuries. Earlier studies of kroncong have tended to jump straight from the 17th century to the 1960s, passing over the period of its greatest commercial success. This article concentrates on previously unexplored sources (78-rpm recordings and the secondary evidence from newspapers and popular literature) to identify significant changes in kroncong in the period 1900-1942. The article focuses on musical and textual features (tempo, melodic variation, verse-form) and, in a coda, considers their correlation with kroncong’s social standing and its success as a commodity in the recording industry.

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