Abstract

The Picaresque tradition is a mode of writing that began in Spain in the 16th century and flourished in the 17th and 18th centuries throughout the rest of Europe. It is a literary tradition that has continued to influence modern fiction writing to date. The current paper examined the picaresque and popular African literature narrative techniques through conducting an in-depth analysis of the following texts; Kill Me Quick, Mission to Kala, The Angels Die, and A Sport of Nature. To effectively address the task, the study examined narratives and narrative techniques in the prose fiction under study. The paper then deployed the Structural Literary Theory in an effort to decode the intertextuality between the texts. The study established that the texts under study are interconnected through the main characters, especially the picaro/picara. An examination of Gustav Freytag’s narrative structure was conducted and similarities and differences in the narrative structures of the texts under study was observed. The Postcolonial Literary Theory was also consulted where specific strands of the theory as propounded by Vorn Gorp, and Frantz Fanon were blended to furnish the study with the necessary theoretical backbone to exhaustively study picaresque narratives in popular literature. In conclusion, the study established that the Picaresque and Popular Literature writing modes are interconnected through the use plot and main characters. The study also established that the non-linear and episodic plot structures are the most commonly used techniques in picaresque and popular writing modes.

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