Abstract

Abstract Art historical and ethnographic literature has elaborated in detail the cultic history and iconography of Christ as Apothecary, the first synthesis of which theme does credit to Wolfgang-Hagen Hein. He found the patristic roots of the theme in St Augustine's Easter sermon “De doctrina christianae”, in which Christ is “ipse medicus”, “ipsa medicina” (doctor and medicine himself). In his book of 2002 Fritz Krafft also addressed himself to the theme. He names the eucharist, the oil and wine of the chemist as signs of the catholic sacramental liturgy. The ethnographic implications were exposed by Lenz Kriss-Rettenbeck and Leopold Schmidt. The earliest representation is the illumination in a manuscript of around 1519–1528 in which Christ is writing out a prescription for the first parents Adam and Eve. The picture type was disseminated in oil and glass paintings over the 17th and 18th centuries. The listed works are complemented with the presented copperplate engravings in the author's collection and ...

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