Abstract
Kültürel Gösterge Aracı Olarak Sinema: Lal Gece (2016) ve Hwal (Yay, 2005) Filml
Highlights
Extended summary Introduction and Purpose: This research aims at establishing the relationship between gender and culture through the cultural lens of cinematic representations
When we look at the studies on cinema and women; Molly Haskell (1987) draws attention to the relation between the representation of women in cinema and women in social life
The film Lal Gece (Reis Celik, 2012), as one of the last examples of New Turkish cinema, and Hwal (Yay, Kim Ki Duk, 2005) of South Korean cinema were examined by focusing around the representations of child brides and a comparative critical reading was made
Summary
Extended summary Introduction and Purpose: This research aims at establishing the relationship between gender and culture through the cultural lens of cinematic representations. Based on the assumption that there are parallels between cultural identity and gender, the study aims at comparing the cultural and patriarchal structures in Turkey and South Korea. The starting point of research is to question how the constructions around gender identities in Turkish and Korean cinema is part of Turkish and Korean culture and how these are being constructed both rhetorically or symbolically
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