Abstract

The present article examines Anglo–Soviet architectural relations during the Second World War, the peculiarities of the perception of foreign experience, and the mutual professional interests. This paper aims to find evidence of multilateral and immensely diverse contacts and examine the reasons for and routes of such collaborations and the actors and institutions involved in the processes. This research attempts to construct new criteria for evaluating professional architectural relationships in the context of ideological and non-ideological obstacles. For this reason, this paper draws data from a wide range of sources, including the State Archive of the Russian Federation (GARF) and the Russian State Archive of Literature and Art (RGALI), the Schusev State Museum of Architecture (GNIMA), and research from the Royal Institute of British Architects (RIBA) Berthold Lubetkin and Erno Goldfinger archives.

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