Abstract
Scandinavian crime fiction has received intense popular attention since the English-language publication of Stieg Larsson’s Män som hatar kvinnor/Girl with the Dragon Tattoo (2005/2008).Scholarship on film, television and literary crime fiction in Scandinavia has been prolific at the same time. Cultural studies and film studies methods have shown how revisions of genre, character and the representation of place have contributed to debates about globalization,the welfare state and gender.
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