Abstract

Abstract The daguerreotypes of the Chartist meeting on Kennington Common in London on 10 April 1848, often considered as the first crowd photographs, are among the most reproduced photos of the Victorian era. But they have not yet yielded all their secrets. This article discusses the old question of the number of people attending the meeting. Re-examining the daguerreotypes in the light of other sources, it additionally addresses issues relating to the depiction of labour. It looks at what the daguerreotypes tell us about the relationship between the Chartist movement and London’s working class. It attempts to identify places and objects. Finally, it focuses on the place of individuals in the images of this anonymous, faceless, and voiceless crowd. It suggests the name and identity of a little-studied Chartist figure who may be seen on a photo, the coachman, carpenter and builder Henry Cullingham (1791–1873), and considers what we may derive from that.

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