Abstract
T Important theoretical aspects are considered in this article: the origin and essence of the Kazakh controversial culture. Sport competitive culture is the only part of the general agonistics, which includes various other kinds of competitions: poetic, musical etc., and Kazakh controversial culture is a part of the universal human culture.
 The questions of sports culture and philosophy, especially its agonistic context, seem to be the most complex, interesting and relevant. However, deep theoretical development is required to understand the essence of agon in the world and national sports culture, as one of the most socially demanded and the most developed variety of culture. 
 Agonistics as a cultural phenomenon attracts the attention of the world scientific community: culturologists, philosophers, art historians, economists, teachers, etc. We have taken the Kazakh example, the method of comparing the world's agon with the Kazakh tradition: its ancient sources, its national-specific characteristics, its organic connection with the initial bases: martial arts, rituals and sports games of ancient Turkic peoples to identify the essence, origin, forms of agon. Such a national-theoretical approach sheds light not only on the specifics, but also on the general laws of the development of a sport-competitive culture, on the common origins and the universal essence of adversarial (agon) in its various manifestations and not only sports. The article explores theoretical approaches, interpretations of foreign, Kazakh philosophers and culturologists. This scientific theoretical and methodological base is of fundamental importance for studying the essence and genesis of world sports and sports phenomena.
Highlights
This article is part of a large scientific complex cultural research devoted to the origin of a sports-competitive culture and its essence.Kazakh agonistic culture was able to preserve the ancient traditions and national-specific features up to the 21st century because in the center of culture there is a person that is usually associated with the fact that they compare it with the Kazakh national temperament: with its ancient sources, nationally meaningful semantics, with initial grounds: martial arts, rituals and military sports games of ancient Turkic peoples
This is the theoretical aspect of the problem, and here we use the theoretical approaches and methodological basis of both foreign and Kazakh philosophy and culturology that study the theory of agonism
The main goal of the present study is to reveal the genesis of the world sport-competitive culture and the common and universal essence of the word agon, based the example of the origin of the Kazakh agonistic culture, a significant and independent part of which is a sports-competitive culture
Summary
This article is part of a large scientific complex cultural research devoted to the origin of a sports-competitive culture (genesis) and its essence.Kazakh agonistic culture was able to preserve the ancient traditions and national-specific features up to the 21st century because in the center of culture there is a person that is usually associated with the fact that they compare it with the Kazakh national temperament: with its ancient sources, nationally meaningful semantics, with initial grounds: martial arts, rituals and military sports games of ancient Turkic peoples. Social and cultural phenomena could not have arisen, formed, evolved, approached its blossoming, decay and decline outside the internally embedded agon: battle, opposition, competition, polemic and controversy Proceeding from this root cause, all thinkers, beginning with Heraclitus, deduce their theories about the origin, development and extinction of the world. The main goal of the present study is to reveal the genesis of the world sport-competitive culture and the common and universal essence of the word agon, based the example of the origin of the Kazakh agonistic culture, a significant and independent part of which is a sports-competitive culture Such theoretical aspect requires the solution of several problems: to present the main foreign and domestic research approaches in the general theory of agonistic culture; to reveal national-specific patterns of genesis and essence of the Kazakh agon; to reveal the typology of Kazakh agonistic forms, their composition, structure, national specifics; explore the most common (universal) features of both national and world sports-competitive culture. Agon, can and should be realized only in a sporting format
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