KAJIAN ETNOPEDAGOGI PEMENTASAN TABUH SEKATIAN DALAM UPACARA DEWA YADNYA DI PURA KHAYANGAN DESA BANJAR PAKETAN KECAMATAN BULELENG KABUPATEN BULELENG

Abstract

Tabuh Sekatian is generally an old percussion that comes from Buleleng Regency. Each old village has different opinions and perceptions regarding this Tabuh Sekatian. In Banjar Paketan, Tabuh Sekatian is a sacred tabuh or guardian specifically used to accompany the Muspa Rayunan and Metata Linggih ceremonies at Banjar Paketan. The Tabuh Sekatian Banjar Paketan tabuh has the soul of Arba, Agung, Gentle, Sacred and Pingit. This study aims to dissect the Ethnopedagogical Study of the Performance of Tabuh Sekatian in the Dewa Yadnya Ceremony at the Khayangan Desa Temple in Banjar Paketan Village, where this sacred art is both an accompaniment and a complement to the belief in the Dewa Yadnya ceremony used by Hindus in Banjar Paketan, full of tattwa values (philosophy), morals (ethics) and ceremonies (events). So that in this performance actually all residents have worshiped Hyang Widhi / God Almighty, both children, adults and the elderly as well as banten artisans, gamelan artisans, igel artisans, priests and others. The functions of the Tabuh Sekatian Performance are for the aesthetic function, the function of sanctity, the function of protecting, the function of preserving cultural arts, the function of maintaining local culture, the function of expressing gratitude. The process of staging Tabuh Sekatian in the Dewa Yadnya Ceremony at the Khayangan Desa Temple in Banjar Paketan Village includes the staging process, the staging place and the facilities for the Tabuh Sekatian performance. There are many Ethnopedagogical values which can be seen in the process of fostering generations, especially children and young people in Banjar Paketan. The Ethnopedagogical Values contained in the Performances of Tabuh Sekatian are Tatwa Values, Ethical Values, Togetherness Values, Social Community Values, Aesthetic Values.