Juxtaposing professional identities and (re)telling pedagogical relations through experimental video-based research

Abstract

Abstract This article focuses on art-based methodologies (ABR), particularly on practices based on the moving image such as experimental cinema/video and on how they can contribute to the construction of professional identities in art education and art-based educational research (ABER). As feminists, we locate ourselves in postcolonial visual culture studies and critical film/pedagogical theories. We explore how experimental video-based research, and auto-ethnographic video making, leads to a reflexive space in which to connect the artist–researcher–educator with the other bodies that participate in the research – María Ruido and a group of five fine art students. We focus our attention on the processes of narrating-editing as an autoethnographic and experimental way to produce the video narrative and the text Juxtaposition (2017). Finally, we show how the processes of narrating-editing enable the relocation of the different bodies, spaces and times and the juxtaposition of professional identities.