Abstract
The article presents central concepts of the “Critique of Aesthetic Judgment,” the first part of the Critique of Judgment by Kant, arguing for the possibility of a fruitful discussion between this work and the problems of aesthetic experience in the contemporary world. It emphasizes Kant’s claims about the judgments of taste concerning works of art and tries to remove some prejudices that hinder the dialogue between this work and current problems. Key words: Kant, judgment, aesthetics, contemporaneity.
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