Abstract
On the eve of Easter Sunday, or what is called Black Saturday in Catholic Philippines, a secluded barrio in the Visayan province of Antique comes alive with a ritual involving an effigy of Judas and his phallus. As one of the country's main sources of Overseas Contract Workers, Antique is a specific illustration of the truism that third world countries like the Philippines consist concurrenty of premodern, modern, and postmodern societies. This paper examines the Judas ritual as a carnivalesque trope, in which folk and modern literature, colonial apparatuses, popular culture, and the agency of the subaltern intersect. I read the plaza, in which the Judas ritual is enacted, as the locus of struggles for power between the dominant and the oppressed. Finally, I read the narratology of Judas' phallus in adjunction with other texts across historical periods and insular boundaries so as to unmask the codes of ideological regulation.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
