John Taylor Retailored

Abstract

Abstract The works of John Taylor the Water Poet (1578–1653) have in recent years been reappraised by scholars of early modern material culture for their expression of a working-class voice, for their inventive manipulation of the print market, and above all for their embodiment, in contrast to dominant Renaissance paradigms of literary worth, of a poetics of physical labour. In this article I revisit the figure of the tailor in Taylor’s defences of his own literary practice, showing that he cleaved to a simplistic distinction between originality and theft, identifying tailoring with the latter. I then examine three examples of his reworkings of previous poems—a micro-drama about the Thirty Years War, an anti-Papist dialogue, and an extended piece of nonsense verse—in an attempt to demonstrate that, despite Taylor’s critical assertions, they can after all best be thought of retailorings, neither properly original nor stolen. This category, however, is a modern one, and I conclude that we have no choice but to appreciate Taylor’s poems, or those of any other early modern writer, on our own terms.