Japanese Women’s Body Politics, Focusing on Clothing/Textiles in Pre- and Post-World War II Japanese Culture on Film

Abstract

When we attempt to read visual messages in styles of dress within mass media such as film, it can help enlighten understanding of ourselves and nuanced messages we portray from a diverse range of cultures. Explained in qualitative methods, this paper explores pre- and post-World War II Japanese transnational dress through Mizoguchi 1956 film Akasen Chitai (Street Of Shame) and Imamura 1961 Buta to Gunkan (Pigs and Battleships), comparing how the clothed female body is reflective of political shifts in pre- and post-WWII Japanese culture. In order to contextualize and thus gain a clearer understanding of Japanese culture from both Japanese and Western perspectives, it is necessary to reflect on some of the history of Japan’s textiles pre-WWII and the garments produced by showing visual examples of them. In film, women’s bodies represent not only their own gender, but the role of men in society as well, which is true in real life. Imamura clearly looks at the human body as a context for society, applied specifically to how the female body is represented through what clothing and textiles she wears on her body, when and why; enabling the audience to decode cultural meanings as well as wider global, social and political significance.