Abstract

Japanese pop culture has influenced Italy over the last thirty years. In the ‘70s anime started to fill the airtime of emerging private TV channels, marking the childhood of those Italians who grew up in those years and until the early ‘90s, when manga finally appeared in the Italian market. Globalization and the Internet have made other aspects of Japanese pop culture available to Italians and the rest of the world alike. It has resulted in a very active Italian fandom spanning different generations, and in a strong fascination with Japan. This paper aims to provide insights into the way Italian fans perceive Japanese pop culture and Japan; on the kind of bonds with Japan they develop, and how they socialize. It does so by considering the biggest Italian web-community, AnimeClick.it, as a microcosm of the Italian fandom’s interactions and emotions. Privileging a qualitative method, it focuses on the people who give life to the website. Their images of Japanese pop culture reveal the recognition of a specific cultural odour perceived as pleasant, which translates into an interest in Japan. Those fans associate Japan with images of fantasy and charming mystery that nevertheless co-exist with perceptions of extreme difference, echoing the notion of Japanese uniqueness, so that Orientalist processes are re-enacted. There are intergenerational differences in the way fans have developed an emotional bond, and look at Japanese pop culture. However, these are mediated and transcended through their socialization and collaboration in the web-community, opening up new perspectives for the future evolution of Japanese pop culture’s influence in Italy.

Highlights

  • Some of these nostalgic Italian grown-ups started the companies specialized in Japanese video products like Yamato (established in 1991) and Dynamic Italia (1995); several others evolved into manga readers and discovered new anime (or re-discovered the old ones) continuing their relations with Japanese pop culture, and constructing specific images of Japan (see Pellitteri 2011, 244-246)

  • Many of the Italians who grew up during the phase of the Dragon have developed an emotional attachment to Japanese anime as markers of their childhood and early teen-hood, and as a generational experience, whose nostalgia has been instrumental in the second phase of the Japanese cultural conquest of European markets (Pellitteri 1999). Some of these nostalgic Italian grown-ups started the companies specialized in Japanese video products like Yamato and Dynamic Italia (1995); several others evolved into manga readers and discovered new anime continuing their relations with Japanese pop culture, and constructing specific images of Japan

  • The AnimeClick.it people we interviewed revealed forms of self-reflexivity, for they constantly stressed that the Japan they were talking about was just what they imagined

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Summary

Introduction

Some of these nostalgic Italian grown-ups started the companies specialized in Japanese video products like Yamato (established in 1991) and Dynamic Italia (1995); several others evolved into manga readers and discovered new anime (or re-discovered the old ones) continuing their relations with Japanese pop culture, and constructing specific images of Japan (see Pellitteri 2011, 244-246). This website provides distinct Italian generations with opportunities for socialisation, and becomes a space for the concerted mediation and use of Japanese culture, and production of images about Japan.

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