Abstract

This article explores the impact of Japanese art and its techniques on the work of Nandalal Bose (1882–1966), one of India’s pre-eminent artists, by locating specific influences from leading Japanese artists of his era, with whom he had close associations during his lifetime. It builds a case for the argument that despite being a staunch advocate for indigenous aesthetics, the depth and versatility of Nandalal’s artistic oeuvre was rooted in his ability to absorb select practices from other artistic cultures, specifically the Japanese, enabling us to connect the origins of India’s modernistic art practices principally to him. The article draws attention to the stylistic and ideological learning that he acquired during interactions with master artists from Japan, including Yokoyama Taikan, Hishida Shunsō and Arai Kanpō and demonstrates the significance of these Japanese influences to both Nandalal’s artistic life and, as a direct result, to the stylistic direction taken by Indian art in the mid-twentieth century.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.