Abstract

James Shirley and Early Modern Theatre: New Critical Perspectives, edited by Barbara Ravelhofer

Highlights

  • ISBN 978-1472480361 In James Shirley and Early Modern Theatre: New Critical Perspectives Barbara Ravelhofer has collected twelve superb essays that put forward a strong case for studying James Shirley today

  • In the opening essay, ‘Time for James Shirley’, Jeremy Lopez first bifurcates Shirley’s position as the ‘invisible man of the early modern dramatic canon’ due to his historical position: his works look ahead to the ‘comedy-of-manners’ genre and back to Jacobean revenge tragedy, and in his created worlds a culturally rich Caroline tone is formed through manipulating the conventions of antecedent dramatic forms

  • Andrew Ashbee’s analysis of the music in Shirley’s oeuvre explains some of the functional purposes of the medium during Caroline stagecraft and, whilst West celebrates the printing of Poems &c, by contrast Ashbee validly highlights that the songs printed in the collection were done so at the expense of being separated from their musical scores

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Summary

Introduction

In James Shirley and Early Modern Theatre: New Critical Perspectives Barbara Ravelhofer has collected twelve superb essays that put forward a strong case for studying James Shirley today. James Shirley and Early Modern Theatre: New Critical Perspectives.

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