Abstract
Acknowledgements Notes on Contributors Introduction: J.Baxter & R.Wymer PART I: 'FICTIONS OF EVERY KIND': FORM AND NARRATIVE Ballard's Story of O: 'The Voices of Time' and the Quest for (Non)Identity R.Wymer Ballard/Atrocity/Conner/Exhibition/Assemblage R.Luckhurst Uncanny Forms: Reading Ballard's 'Non-Fiction' J.Baxter PART II: ' THE ANGLE BETWEEN TWO WALLS': SEX, GEOMETRY AND THE BODY Pornographic Geometries: The Spectacle as Pathology and as Therapy in The Atrocity Exhibition J.H.Bon Hua Disaffection and Abjection in J. G. Ballard's The Atrocity Exhibition and Crash E.Whiting Chapter Six: Reading Posture and Gesture in Ballard's Novels D.O'Hara PART III: 'BABYLON REVISITED': BALLARD'S LONDONS The Texture of Modernity in J. G. Ballard's Crash, Concrete Island and High-Rise S.Groes J. G. Ballard and William Blake: Historicizing the Reprobate Imagination A.Cormack Late Ballard D.James PART IV: 'THE PERSONAL IS POLITICAL': PSYCHOLOGY AND SOCIOPATHOLOGY Empires of the Mind: Autobiography and Anti-imperialism in the Work of J.G. Ballard I.Paddy 'Going mad is their only way of staying sane': The Civilized Violence of J. G. Ballard J.Carter Wood The Madness of Crowds: Ballard's Experimental Communities J.Huntley 'Uncentred Lives': Micronationalism in the Work of J. G. Ballard S.Sellars Index
Published Version (
Free)
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call