Abstract

This article studies to what extent the interaction between activists and historical monuments during the 2019 Chilean protests created a shift in the interpretation of the country's past, thus facilitating the emergence of alternative and more inclusive narratives able to challenge hegemonic power structures. The article embarks on this endeavour through an analysis of three cases of demonumentalisation that occurred in the Chilean city of Temuco on the 29th of October 2019. Methodologically, the article engages with a combination of theories regarding the coloniality of power, the politics of aesthetics, and cultural memory. Finally, the paper concludes by arguing that Chilean activists' engagement in the practice of demonumentalisation exposed alternative narratives concerning the historical conflict between the Chilean state and the Mapuche community. Making visible the perpetuation of unjust social structures in Chilean society and creating bonds of solidarity between the Chilean mass movement and the Mapuche movement.

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