Abstract

This article explores the complex dynamics involved in making African Diaspora histories and cultures visible at Historic Jamestowne, a setting traditionally viewed as white public heritage space. In response to the 400th anniversary of the forcible arrival of Africans in Virginia, archaeologists and heritage professionals at Jamestown are engaging the local African American descendant community in collective knowledge production centered around Angela, one of the first African women that lived at Jamestown in the 1620s. This article explores the production of dominant histories, alternative interpretations of the (colonial) past, and relationships between heritage sites and local descendant communities.

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