Abstract
The paradox of coexistence between the elegant and the popular has always existed in China's long-standing music culture. This article focuses on the analysis of the changes between elegant and popular music from the Western Zhou's ritual music to the Han's music.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Similar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.