Abstract
This article examines and analyzes the films of the cinema of Bo-Sarli’s cinema from a dissident sex perspective. The essay seeks to analyze part of the film Sabaleros (1959). The link between the characters of Sarli and Alba Mujica is addressed in relation to the theoretical category of archive of feelings and its connections with other cultural materials. To this end, counternormative connections are established with the film Fuego (1969). Also with textual, visual and audiovisual appearances of Isabel Sarli. Finally, the article proposes Isabel Sarli and her emotional and cultural traces in different cultural texts as part of an archive of feelings of sexual dissidence.
Published Version
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