Abstract
Abstract Bunraku theater is a traditional Japanese performing art. Bunraku puppeteering can invoke deep unconscious affective reactions from the audience, overcoming what is known as the uncanny valley effect. The authors analyze Bunraku plays, showing that the music tempo and puppet movements follow the Jo-Ha-Kyū principle, which refers to recursive and fractal artistic modulations such as changes of tempo and rhythm breaks. The authors then illustrate the difference between Bunraku and European dance and finally propose the application of Jo-Ha-Kyū in character animation design.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
More From: Leonardo
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
