Abstract
The bravura title sequence of David Fincher’s 2011 film The Girl with the Dragon Tattoo is at once unexpected and strangely familiar. Here come the drums. Trent Reznor and Atticus Ross’s electronic soundtrack bleeps and crackles across the entire film, and their take on Led Zeppelin’s ‘Immigrant Song’ kicks proceedings off in arresting style. Whereas the credits introduce music to weave its way alongside the visual fabric of the rest of the film, the visuals of this opening sequence stand completely alone.
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