Abstract
Even after forty years, the haunting explorations of reality in Cortàzar 's short story and Antonioni's adapted film are enticing to re-explore, specifically: confusion over the narrators ' identities; difficulties of telling the events; stylistic and content similarities of each author to others of their works in this period; paucity of dialogue yet tactics of engagement in each narrative; terse presentation of the characters in each of the works; contrasts between specific time frames for events but ambiguity of the actual occurrences; concluding altered perceptions of reality for the two protagonists; and problematic depictions in each medium seen from today's perspectives.
Published Version
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