Abstract

The poetic-philological discourse functions as a linguocultural phenomenon in the Russian intertext. The relevance of the study is due to the consistent systematization of knowledge about philological poetry as a special type of discourse, a multidimensional analysis of the literary works of poets-phraseologists is carried out. The purpose of the work undertaken was to form ideas about the elocution of the scientist’s artistic world, that is, the materialization of the cognitive program, in the creative workshop of his philological experience. Poetry collections of modern researchers of the Russian language, specialists in the field of linguoculturology and phraseology, paremiology, and byword studies served as materials. On the basis of the predecessor works devoted to the Russian text, discourse, intertext, interpretative, linguoculturological and axiological accents are placed in the study of idiostyle, taking into account the professional position of the author. The methods of work included the observation of philological poetry and the description of its characteristic features, the systematization of the verbal tools of philologists-poets, analytical work with theoretical and factual material, deepening and expanding existing research on the specifics of Russian intertext and discourse. The main points of the study were the coverage of the intertextual properties of Russian discourse in the linguoculurological aspect, the analysis of the distinctive features of philological poetry in the conditions of intertext and in the interaction of creativity and science. The conclusions made in the course of the study determined the unique intertextual position of the poetic experiences of linguists, based on the shift of the center of poetic thought towards epistemological tendencies. In conclusion, the innovative nature of images, symbols, ideas in philological poetry is noted, directions for its further study, as well as the study of Russian intertext and poetic discourse, are outlined.

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