Interpretation of Musical Folklore in the Work of Ethnoband Zgarda

Abstract

The purpose of the research is to reveal the basic principles of music material selection and ways of transforming the authentic song tradition, its interpretation and representation for the modern audience in the work of the Ukrainian ethnic band Zgarda. Research methodology. The following methods were used in the research: source study (study of works on the interpretation of musical folklore in the works of contemporary ethno-pop, rock, and jazz formations); analytical (comprehension of the types, as well as the role and place of interpretation of authentic works and their stage and musical representation in the process of preserving and retransmitting the intangible cultural heritage of the Ukrainian people); method of theoretical generalization (for formulating conclusions). The scientific novelty of the research is to highlight the peculiarities of musical and folklore material’s interpretation in the work of the ethnic group Zgarda, which is manifested, in particular, in the contamination of several authentic works into one vocal and instrumental composition with possible authorial deviations in dynamics, tempo, melodic line, etc. Conclusions. The use of traditional music in the work of many musicians is highly relevant today. Traditional music is given a new life; it is modified and resonates with young people due to its new sound and form. Having analyzed the work of the Zgarda ethnic band on musical material, we can note that there is no clear plan for processing folk songs (and creating music in general) because it is a creative process that does not follow established rules. It is essential to understand the importance of the approach to processing folklore material, and how to mix authenticity with contemporary music in a dosed and environmentally friendly way because our goal is to emphasize the beauty of folk songs, not vice versa.