Interpretation of Gabriel Faure’s Pavane: Compositional and Performing Aspects

Abstract

Modern interpretations of Gabriel Fauré’s Pavane demonstrate the artistic potential of the work. The variety of performances (from large orchestral and choral ensembles to chamber ensembles) shows the wide possibilities of the composition. The composer’s and performer’s versions of B. McFerrin’s compositiona and performing versions reveal a tendency to preserve the author’s text, despite the performance of the main melody by voice. The version for guitar and string quartet arranged by Thomas Koenigs and performed by the Accord Quintet, demonstrates a performing interpretation with the composer’s reworking of the work. The purpose of the research is to reveal the expressive possibilities of Gabriel Fauré’s Pavane and to characterise the specifics of his interpretation. Research methodology. The article uses the following methods: theoretical – in analysing the studies of domestic and foreign authors and available information sources; synthesis method – to establish the links between the elements identified during the analysis in order to establish a holistic concept and generalise the information obtained. Scientific novelty. For the first time in national scientific thought, the peculiarities of the performing and composer’s interpretation of G. Fauré’s Pavane are considered, and its expressive means and artistic potential are highlighted. Conclusions. Currently, there are many modern interpretations of G. Fauré’s Pavane. These performing versions are adapted for different performing groups. The modifications that take place with the composition illustrate the extraordinary artistic potential of the work. Despite the changes in the performing cast, tempo and texture, the work has not lost its relevance and popularity in the present day. The components, that are most frequently changed, are tempo, arrangement, and textural and structural modifications.